Antero Alli, Sylvi Alli
and Group Work

UPDATED 4/19/2019.

Artistic Director & Paratheatre Training


Between 1970 and 1977, Antero performed and taught Mime Theatre. In 1977, he encountered the Paratheatre of Jerzy Grotowski which inspired him to develop his own paratheatre medium -- as documented in his book, "Towards an Archeology of the Soul" (Vertical Pool, 2003), in numerous video documents (1991-2018), and by Nicoletta Isar, Professor at the Institute of Art History, Copenhagen University. Between 1975 and 2005, Antero wrote, directed, and performed in numerous experimental theatre productions. Between 2005 and 2015, Antero stopped creating theatre to write and direct a series of feature-length art films (including "The Greater Circulation", a critically acclaimed cinematic treatment of poet Rainer Maria Rilke's "Requiem for a Friend" and "The Invisible Forest", a tribute to French Surrealist, Antonin Artaud). During his filmmaking era, his group paratheatre work went underground in private, non-performance oriented ritual labs. In 2015, he quit filmmaking and with his wife, performer/singer Sylvi Alli, moved to Portland Oregon to develop new intermedia works of ritual-based physical theatre.





Music Director & Voice Training


After extensive training in classical piano, Sylvi turned to painting and between 1976-93, her art was shown in galleries in the U.S. and Europe. In 1989, she began her journey into ambient/industrial electronic music and in 1995, she started singing. These elements soon combined in the development of soundtracks for dance, theatre and cinema projects. Sylvi has scored the songs and music for most of Antero's films & theatre since 1989. In 1996, she starred in "Lily in Limbo", a 27-minute poetry film. Her music CDs include "Too Near the Ghosts", "Dream of the Blue Moth", "Under a Shipwrecked Moon", "A Hundred Birds", "Vessel", "Flamingos" and "The Book of Jane". She has acted in many of her husband's films and performed in their paratheatrical productions. Her deep background in ParaTheatre (since 1996) has informed her unique "embodied voice" approach to singing through movement. She is the Music Director of ParaTheatrical ReSearch PDX.




ParaTheatrical ReSearch Group Work

"Orphans of Delirium" (2004; Berkeley and San Francisco; click image for info)

an intermedia ritual-based physical theatre

Berkeley CA 1998-2015. Over seventeen years, ParaTheatrical ReSearch focused primarily on a series of private non-performance Labs (8-10 week workshops) where the fundamental methods of this medium were applied and tested many, many times over. Throughout this era, three paratheatre video documents were produced ("Crux" 1999; "Orphans of Delirium" 2004; "dreambody/earthbody" 2012), along with four public performance rituals ("Hungry Ghosts of Albion" 1999; "Orphans of Delirium" 2004; "Songs as Vehicles" 2004; "Requiem For a Friend" 2005). This 17-year period established the foundation for all our future (non-performance and performance) work.

Portland OR; Ritual Into Theatre. Between December 2016 and December 2018, we produced five intermedia physical theatre works at PerformanceWorks NW in Portland OR. Each production was preceded by a 10-week workshop (Lab). The performances combined ritual dynamics, vocal incantations, improvised and composed music & songs, film, and great poetry to explore metaphysical and symbolic dimensions of human experience. We don't do social or political or morality issues or themes, nor do we perform conventional stage plays. Our aim is to incite visceral and spiritual resonances in the audience for arousing the Poetic Imagination from its deep cultural slumber.

"A Turbulence of Muses" (December 2016); click image for info

Our debut production, "A Turbulence of Muses" a symbolist ritual (poetry by Arthur Rimbaud) was workshopped over ten weeks in the Muses Lab and premiered December 2-4, 2016. In the "2-Faced Clowns Lab", we explored personal and collective hypocrisy to develop the extreme characters featured in "Bardoville" (poetry by Charles Bukowski) with vocal creations by Sylvi Alli and E.V.E. (premiered May 12-14 of 2017 to critical acclaim from Oregon ArtsWatch). Our Dec 1-3, 2017 production, "Soror Mystica: Ritual Invocation of the Anima" (poetry by Hilda Doolittle) was developed during the Alchemy Lab. Music was improvised on site by Sylvi ("Soror Mystica" also earned critical acclaim from Oregon ArtsWatch). Our next production, "Fallen Monsters" (poetry by William Blake), was created in the Contract Lab before its May 11-13, 2018 premiere. Our winter 2018 production, "Escape from Chapel Perilous!" (poetry by Sylvia Plath) came together during the Labyrinth Lab and premiered November 29th, 30th, Dec. 1 & 2, 2018.

Click this to watch video documents of the above titled performances
and other videos of non-performance paratheatrical processes

"Escape from Chapel Perilous" (December 2018); click image for details

As of March 1st, 2019, we stopped preparations for future performances to focus on the development and elevation of our craft in private, non-performance ritual labs -- starting March 10th with the Dreaming Ritual Lab and over the summer we will explore the Muses archetype in the 8-week Muses Lab. After this Muses Lab, preproduction will start in September for our next intermedia production , "New Revelations of Being" (text by Antonin Artaud) with performances scheduled for December 6, 7 & 8, 2019 at PerformanceWorls Northwest, PDX

For those committed to somatic exploration of the internal landscape, two weekend Paratheatre intensives are offered each year. Click this for the next workshop session and more information. Also see "Auditions" section below.

- Antero Alli, Artistic Director & Paratheatre Training
and Sylvi Alli, Music Director & Vocal Training


AUDITIONS (May/June 2019)


Any gender or race, between 25 and 50, to portray French Surrealist
playwright Antonin Artaud in The ParaTheatrical ReSearch production
"New Revelations of Being" (text by Artaud) at PerformanceWorks NW.
Private cold reading of Artaud's text with the director in SW PDX.
Workshop/rehearsals: 11 Monday nights Sept 23 thru Dec. 2nd;
Dec 3 & 4 Tech. Perform Dec 6, 7 & 8. (Non-union & non-pay).
Contact Antero at



"Bardoville" (May 2017); click image for details

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