ANTERO ALLI & SYLVI ALLI, Bios,
and OUR VISION STATEMENT


ANTERO ALLI
Artistic Director & Paratheatre Training


 

In 1977 Antero was inspired by the Paratheatre of Jerzy Grotowski and used his early theatrical experience and training to develop his own paratheatre medium as documented in his book, "Towards an Archeology of the Soul" (Vertical Pool, 2003), in videos (1992-2017), and in academia by Nicoletta Isar, Professor at the Institute of Art History, Copenhagen University. Between 1975 and 2005, Antero wrote, directed, and performed in numerous experimental theatre productions. Between 2000 and 2015, Antero wrote and directed a series of feature-length art films including "The Greater Circulation" (2005; 93 min) a critically acclaimed cinematic treatment of poet Rainer Maria Rilke's "Requiem for a Friend" and "The Invisible Forest" (2008; 111 min) a tribute to French Surrealist, Antonin Artaud. In 2015, he and his wife, the performer/singer Sylvi Alli, relocated to Portland OR to collaborate on intermedia experimental theatre productions and their original music duo, "bird&wolf".

PARATHEATRE BACKGROUND
Chronology of Paratheatre Development (1970 to Present)

PRODUCTION HISTORY
Mime, Theatre, and Paratheatre (since 1972)

EXPERIMENTAL THEATRE
Vision Statement

 


SYLVI ALLI
Music Director & Voice Training

 

After extensive training in classical piano, Sylvi turned to painting and between 1976-93, her art was shown in galleries in the U.S. and Europe. In 1989, she began her journey into ambient/industrial electronic music and in 1995, she started singing. These elements soon combined in the development of soundtracks for dance, theatre and cinema projects. Sylvi has scored the songs and music for most of Antero's films & theatre since 1989. In 1996, she starred in "Lily in Limbo", a 27-minute poetry film. Her music CDs include "Too Near the Ghosts", "Dream of the Blue Moth", "Under a Shipwrecked Moon", "A Hundred Birds", "Vessel", "Flamingos" and "The Book of Jane". Her deep background experience in ParaTheatrical ReSearch (since 1996) has informed her unique "embodied voice" approach to singing. She is the Music director of ParaTheatrical ReSearch PDX and of E.V.E., an all-female experimental vocal ensemble.

SYLVI'S MUSIC CDS
MUSIC ON SOUNDCLOUD
SYLVI on "EMBODIED VOICE" work




ParaTheatrical ReSearch PDX
Vison Statement: Past, Present, Future





"Soror Mystica"; performance (Dec. 2017); click image for details

A RITUAL-BASED INTERMEDIA THEATRE
After twenty years of ongoing Paratheatre Labs, Music and Film production in Berkeley California, we (Sylvi and Antero) relocated to Portland Oregon in October of 2015 to develop new works of experimental theatre. New to Portland and not knowing any other performers here, we chose to present a series of Paratheatre training Labs throughout 2016 in the hopes of finding others to work with. A core group of five or six eventually magnetized around a ritual-based intermedia vision of experimental theatre.

Our debut Portland production, "A Turbulence of Muses" a symbolist ritual (text by Arthur Rimbaud) was workshopped over ten weeks in the Muses Lab and premiered December 2-4 2016 at Performance Works NW. In the "2-Faced Clowns Lab" (also 10 weeks), we explored personal and collective hypocrisy as a basis for developing the extreme characters featured in "Bardoville"; text by Charles Bukowski with vocal creations by Sylvi and E.V.E. ("Bardoville" premiered May 12-14 of 2017 to critical acclaim from Oregon ArtsWatch). Our most recent production, "Soror Mystica: Ritual Invocation of the Anima", was workshopped during the 10-week Alchemy Lab and premiered Dec 1-3, 2017 (music direction by Sylvi; text by Hilda Doolittle) at PerformanceWorks NW (also to critical acclaim from Oregon ArtsWatch). Our next production is set to premiere May 11-13, 2018.

 


"Bardoville"; performance (May 2017); click image for details

Ritual Into Theatre. Each intermedia production is preceded by a 10-week workshop (Lab) where Paratheatre methods are used to discover which internal sources and ritual structures might best serve as a foundation for a new experimental theatre work. Eschewing any theatre of ideas, messages, politics, or morality, we don't perform stage plays nor do we use any conventional scripts beyond spoken poetic text. We aim to impact audiences with experience - of spontaneous energy, of spirits unleashed from the self-governing bodies of our performers, vocal creations and music, short films, and great poetry spoken as oblique narratives.

ParaTheatrical ReSearch PDX is not a company of fixed players as much as a kind of molting group that develops each new performance work with those best suited for the unique challenges of each production. Though a core group of individuals persists in each work, we remain open to inquiries from others across the performance spectrum - theatre, dance, voice, music, clown, martial arts, vaudeville - who wish to work with us. Sometimes those invited to join us also participate in Paratheatre training to learn the fundamentals of our unique somatic language.

ParaTheatrical ReSearch PDX is a non-union, self-funded collective; we're low maintenance, we don't do grants or suckle the corporate teet. We are making it up as we go along.

- Antero Alli, Artistic Director
and Sylvi Alli, Music Director




CONTACT POINTS
noform@paratheatrical.com
503-299-4064 (no text; record a message)


site map